Harold Darke’s In the Bleak Midwinter, originally made famous by the Choir of King’s College, Cambridge, for SATB Choir with Organ accompaniment. There are two popular settings of Christina Rossetti’s In the bleak mid-winter— Gustav Holst’s, which appears in the standard hymnals and carol collections, and . Harold Darke’s nostalgic In the bleak midwinter has been a mainstay of the famous Festival of Nine Lessons and Carols (broadcast worldwide on Christmas Eve.

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In the Bleak Midwinter

The site is also available in several languages. In the Bleak Midwinter by Harold Darke arr. Retrieved 26 November In verse one, Rossetti describes the physical circumstances of the Incarnation in Bethlehem. Hymnologist and theologian Ian Bradley has questioned the poem’s theology: Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from daroe twelfth century to the twenty-first.

In the Bleak Midwinter – Wikipedia

Don’t show me this message again. For the film of the same name, see In the Bleak Midwinter film.

Harold Darke ‘s anthem setting of is more complex and was named the best Christmas carol in a poll of some of the world’s leading choirmasters and choral experts in Wikisource has original text related to this article: From Wikipedia, the free encyclopedia. Other recordings available for download. Views Read Edit View history.

Gustav Holst’s tune, Cranham Four verses arranged for congregational singing. Rossetti achieves another contrast in the fourth verse, this time between the incorporeal angels attendant at Christ’s birth with Mary ‘s ability to render Jesus physical affection.


In the bleak mid-winter composer. Gustav Holst’s tune, Cranham. October Total duration: In the bleak midwinter”. Each verse is treated slightly differently, with solos for soprano and tenor or a group of sopranos and tenors and a delicate organ accompaniment.

More by Harold Darke

Gramophone ‘This album provides a lovely programme of music. That day will bring about the destruction of the heavens by fire, and the elements will melt in the heat.

Webarchive template wayback links Articles with hAudio microformats. Darke, like several other composers represented on this disc, was a product of the Royal College of Music, studying composition with Stanford and the organ with Sir Walter Parratt, who had himself been a church organist from the age of eleven. Benjamin Britten includes an elaborate five-part setting of the first verse for high voices combined with the medieval Corpus Christi Carol in his work A Boy was Born.

What can I give Him, Poor as I am? This page was last edited on 24 Decemberat The Darke setting, written in while he was a student at the Royal College of Musicis more advanced. The Choir of Jesus College, Cambridge perform beautifully and the album contains a lot of wonderful The heavens, even the highest heaven, cannot contain you.

Retrieved from ” https: Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. But in keeping with his promise we are looking forward to a new heaven and a new earth, where righteousness dwells” NIV.

In the bleak mid-winter Frosty wind made moan; Earth stood hard as iron, Water like a stone; Snow had fallen, snow on snow, Snow on snow, In the bleak mid-winter Long ago. By using this site, you agree to the Terms of Use and Privacy Policy.


In the bleak midwinter (Harold Darke) – ChoralWiki

Darke also repeats the last line of each verse. The text of this Christmas poem has been set to music many times, the most famous settings being composed by Gustav Holst and Harold Edwin Darke in the early 20th century.

The hymn is titled after Cranham, Gloucestershire and was written for the English Hymnal of In verse two, Rossetti contrasts Christ ‘s first and second coming. Darke served as conductor of the choir during World War II. Holst’s setting, “Cranham”, is bleka hymn tune setting suitable for congregational singing, since the poem is irregular in metre and any setting of it requires a skilful and adaptable tune.

For the mystery novel of the same name, see In the Bleak Midwinter novel.

Darke would complain, however, that the popularity of this tune prevented people from performing his other compositions, and rarely performed it outside of Christmas services. Hyperion offers both CDs, and downloads in a number of formats.

The third verse dwells on Christ’s birth and describes the simple surroundings, in a humble stable and watched by beasts of burden. The concert makes a great appeal by the quality of the singing and the beautiful digital recordi